Provided we use SilverFast HDR in conjunction with SilverFast Studio Ai and set the Image Type in Studio Ai to, we obtain a scan which captures the full dynamic range the original media and scanner are capable of rendering, with no editing adjustments other than the scanning Gamma selected in Studio Ai “Options”. Two related applications are involved: Silverfast Ai Studio and SilverFast HDR Studio. SilverFast HDR is LSI’s effort to import certain characteristics of digital raw capture into the realm of image scanning. It does a good job, and is of course a highly recommended procedure for anyone concerned about having a properly colour-managed workflow. (5) An integrated workflow between SilverFast and Adobe Photoshop Lightroom.Īuto iT8 scanner calibration is a fully integrated and automated procedure for characterizing and profiling one’s scanner with one button push, using SilverFast’s iT8 transparency scanner target. (4) Performance of the Epson V750 Pro scanner and (3) SilverFast’s new hardware-based dust and scratch removal technology called “iSRD” (2) SilverFast’s version of HDR in 64-bit mode (1) SilverFast’s Auto iT8 scanner calibration procedure (slides only) After exploring a number of avenues I decided the subject can be most usefully parsed into a few topics of considerable interest: Sounds simple enough, but that began an extensive odyssey into the new world of SilverFast, and a loan of an Epson V750, courtesy of Epson America, required because it enables access to the scanner’s infrared channel, not possible with my now discontinued, but still excellent, Minolta Dimage Scan Elite 5400. I considered this an interesting challenge, so we agreed they would provide the latest software and I would do some poking around with it. Taking stock of all these developments, LaserSoft Imaging asked me if I would be interested in testing new ways of working with SilverFast and writing-up my findings. Well, over three years have elapsed and several relevant developments occurred in the interval: Lasersoft Imaging (LSI) has been developing new and interesting features for SilverFast, new models of film scanners were released (in particular the Epson V750 Pro and the Nikon Super Coolscan 5000ED, both still available) and Adobe Photoshop Lightroom hit the market in February 2007. Readers of this website may recall that back in early 2006 Luminous Landscape published a couple of articles I wrote on techniques for scanning colour negatives and the use of SilverFast with my Minolta Scan Elite 5400 scanner. A few firms still manufacture film scanners and several scanning applications are on the market, of which SilverFast remains the most comprehensive. Enter scanners and scanning software – a field which retains a steady clientele despite the onslaught of digital capture. And for many of us, that means drawers of negatives, prints and metal boxes full of slides.Ĭolour Negative Scanned in SilverFast Ai Studio 6.6 with NegafixĪll this stuff degrades over time, so the contemporary advice is to digitize it for enhancement and indefinite preservation. With all the forward momentum, we tend to forget that one of photography’s major purposes is to create memories, allowing us to look backward at what was. So many of us immersed in digital photography only look forward, eagerly awaiting the next generation of digital cameras, new and improved ways of editing pixels, and the ever expanding gamut and dynamic range of inkjet printers.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |