I went with Millennium Actress because it feels like the most complete version of Kon's artistic vision. Much like Miyazaki, everyone will have their own favorite - whether you're into the psychological horror of Perfect Blue or the uplifting Christmas-y vibes of Tokyo Godfathers. Satoshi Kon's filmography is tragically low but each one of his four feature films are fantastic in their own right. Millennium Actress (Sennen Joyuu) (2001) Director: Satoshi Kon | Studio: Madhouse MAL Score: 8.34, Ranked: #198 That sounds like I'm doing Sword of the Stranger a disservice, but the fact that it would give this hypothetical dumb-dumb that doesn't know what anime is a great first impression speaks to what an excellent work Bones did animating this movie. Sword of the Stranger is almost the perfect movie to show to someone who has only heard about anime in passing, has no real understanding of what it's like, but wants to watch something cool with samurais and awesome action. Sword of the Stranger (Stranger: Mukou Hadan) (2007) Director: Yasuhiro Yoshiura | Studio: Bones MAL Score: 8.43, Ranked: #139 Yup, one of the more successful anime movies recently has been a BL movie. Impressive from what's a relatively simple highschool romantic story involving two guys. While it hasn't made as many waves as Your Name or even A Silent Voice, Classmates is a recent movie that has quietly generated a lot of critical acclaim and general success in Japan. Did you know in Japan this movie was shown alongside My Neighbour Totoro when they both came out in cinemas? Can you imagine going from the delight of Totoro then following that up with the clinical depression you will develop after watching Grave of the Fireflies?ĭoukyuusei (Classmates) (2016) Director: Shouko Nakamura | Studio: A-1 Pictures MAL Score: 8.53, Ranked: #90 Step forward the co-founder Isao Takahata and his tragic wartime masterpiece Grave of the Fireflies. Grave of the Fireflies (Hotaru no Haka) (1988) Director: Isao Takahata | Studio: Studio Ghibli MAL Score: 8.58, Ranked: #71Īlthough I have my rule of only one movie per director, that doesn't mean I can't pick another Studio Ghibli movie. In the end I went for Spirited Away, as it is the one that won the Academy Award after all, but I'm sure almost everyone reading this article will have their own favourite Hayao Miyazaki film. My own personal favourite movie of his, Porco Rosso. The childlike wonder of My Neighbour Totoro. You could pick several Hayao Miyazaki films that wouldn't look out of place on any greatest anime movie list, or indeed greatest movies of all time. Might as well get the obvious one out of the way first. Spirited Away (Sen to Chihiro no Kamikakushi) (2001) Director: Hayao Miyazaki | Studio: Studio Ghibli MAL Score: 8.93, Ranked: #15 It's already shot right up to the top 15 anime on MAL despite not having a general release yet and could possibly rise even higher once it does. Kyoto Animation's adaptation of the critically acclaimed manga about a deaf teenager has been receiving massive acclaim in international movie festivals. It's not just Kimi no Na wa that has been making waves in Japan. Not bad by a director who started his anime directing career on a laptop in his office.Ī Silent Voice (Koe no Katachi) (2016) Director: Naoko Yamada | Studio: Kyoto Animation MAL Score: 9.07, Ranked: #12 It's already one of the biggest anime movies of all time in Japan by box office figures. While it covers a lot of similar ground to Makoto Shinkai's previous works (distant lovers, sense of loss, lots of clouds), this one is far and away his biggest success so far. It may be very new, but the fact that Kimi no Na wa is already the #1 rated anime of all time shows what a phenomenon this new movie has been. Your Name (Kimi no Na wa.) (2016) Director: Makoto Shinkai | Studio: CoMix Wave Films MAL Score: 9.39, Ranked: #1 Let's Get Started With The Anime Movies List With that out of the way, let's get started. This would prevent half the list from being Hayao Miyazaki films. Either due to critical/popular acclaim, or historical significance, these movies represent the best of anime.ĭisclaimer: This article follows one rule - only one movie per director. Just like live-action movies have masterpieces like 'The Godfather' or 'Citizen Kane' to hold up as the pinnacles of the medium, so do anime movies.
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The crabs are too big to get past the rocks and they will stay there, trying to smash you. Aggro the crabs with arrows and get them to chase you to the entrance of the cave where you fight Horace.
This post was supposed to happen yesterday, but it didn’t, due to my discovery that I needed to do a bit more organizing of the images. This app contains hundreds of Celtic Tattoo designs to help inspire your next tattoo design choice.
I have watched the first, but not the second movie, although I did see some of the fight scenes from the second film. However, on the other hand, I was glad to finally see Jeeja in an English-speaking role and showcasing some of her martial arts talent in an American film.Īction Choreography: Never Back Down: No Surrender has a different approach to the action as compared to its predecessors. The only notable moment was when he was howling like a dog thinking that Case is Cuba Gooding Jr., which felt awkward and unnecessary. On a side note, when I first heard that Tony Jaa and Jeeja Yanin were going to be in the film, I was expecting them to have a lot of screen time, but much to my disappointment they only made cameo appearances, as mentioned above, with Jaa appearing as himself and doing no fighting. The members such as trainer Ramos initially react to Case’s traditional, but unorthodox, training methods with disgust, but they start to respect Case when they witness the effectiveness of Case’s training like how he defeats Cobra, and how he could break a board with “the perfect punch” while others can’t. There is also significant character development, especially in the parts where Case interacts with many of the members of Brody’s camp. (Bellator or UFC wouldn’t have given Braga a chance) Then you’ll realize Vega is pulling the strings to make the fight between James and Braga a money-making publicity stunt, and will even turn to unethical means whenever he deems fit. For instance, you’ll, at first, be suspicious of Hugo Vega, especially when he allows Braga to fight in PFC despite his history of domestic violence and obvious use of drugs as noted by his merciless and hot-tempered demeanor. You’ll get a good amount of depth from new major characters like Brody James, Myca (Gillian White), and sleazy fight promoter Hugo Vega (Esai Morales), as well as understand their history and/or intentions. Character-wise, everyone did a good job with their role. The story to Never Back Down: No Surrender does not have a lot of twists and turns, but it is enough to keep it interesting. Story/Characters: Former MMA champion Case Walker (Michael Jai White) lives a reclusive, low-profile life in a small town in Texas until he’s asked by friend and fellow MMA fighter Brody James (Josh Barnett), who has just signed with the controversial PFC league, to come to Thailand to help him train for the ultimate fight against the daunting and psychopathic MMA champion Caesar Braga (Nathan Jones). You don't want them worrying the livestock, and with no income support process in place, you need to find work for idle farmhands to do. The flooding has a further knock-on effect, though, in that it leaves thousands of burly farmers with time on their hands. This means that enough food has to be stored to feed the populace for the remainder of the year -although, as a back-up, parts of the mainland can be irrigated with ditches. Farms can mainly be built in the flood plain of the Nile, and this is where Pharaoh differs from Caesar, as farms are underwater for a sizeable part of the year. Ostrich with a side dish of ostrich isn't the most balanced of diets, though, and farming a variety of foodstuffs is key here. Food is stored in granaries and distributed among the masses via a series of bazaars. A lack of fast food establishments is evident so you build a hunting lodge, enabling them to slaughter ostriches, apparently the equivalent of KFC in Egyptian times. You start by laying a couple of plots of land, some proles move in and construct rudimentary shacks, and you give them a water supply so they can wash their arses. Religion also plays a major role, and various gods must be appeased through building temples and holding festivals, with failure to please them resulting in a blight upon your land. There's no denying that the basic gameplay elements are the same, and for those who missed out last time round, they go a little bit like this: faced with little more than a barren wasteland, you have to build a city from the ground up, populate it, and provide a decent standard of living for your citizens, who will demand food, jobs, education, entertainment, protection, and all the beer they can drink. Despite the change of scenario, Pharaoh uses the same engine as its predecessor, a fact that has led cynics to label it 'Caesar 3 with pyramids'. Not content with replicating life in Roman times, the Impressions team has shifted their focus towards Egypt, land of sun, sand, slave labour and elaborate monuments. Caesar III, last year's Rome 'em-up, proved to be one of the most addictive games of all time. Provided we use SilverFast HDR in conjunction with SilverFast Studio Ai and set the Image Type in Studio Ai to, we obtain a scan which captures the full dynamic range the original media and scanner are capable of rendering, with no editing adjustments other than the scanning Gamma selected in Studio Ai “Options”. Two related applications are involved: Silverfast Ai Studio and SilverFast HDR Studio. SilverFast HDR is LSI’s effort to import certain characteristics of digital raw capture into the realm of image scanning. It does a good job, and is of course a highly recommended procedure for anyone concerned about having a properly colour-managed workflow. (5) An integrated workflow between SilverFast and Adobe Photoshop Lightroom.Īuto iT8 scanner calibration is a fully integrated and automated procedure for characterizing and profiling one’s scanner with one button push, using SilverFast’s iT8 transparency scanner target. (4) Performance of the Epson V750 Pro scanner and (3) SilverFast’s new hardware-based dust and scratch removal technology called “iSRD” (2) SilverFast’s version of HDR in 64-bit mode (1) SilverFast’s Auto iT8 scanner calibration procedure (slides only) After exploring a number of avenues I decided the subject can be most usefully parsed into a few topics of considerable interest: Sounds simple enough, but that began an extensive odyssey into the new world of SilverFast, and a loan of an Epson V750, courtesy of Epson America, required because it enables access to the scanner’s infrared channel, not possible with my now discontinued, but still excellent, Minolta Dimage Scan Elite 5400. I considered this an interesting challenge, so we agreed they would provide the latest software and I would do some poking around with it. Taking stock of all these developments, LaserSoft Imaging asked me if I would be interested in testing new ways of working with SilverFast and writing-up my findings. Well, over three years have elapsed and several relevant developments occurred in the interval: Lasersoft Imaging (LSI) has been developing new and interesting features for SilverFast, new models of film scanners were released (in particular the Epson V750 Pro and the Nikon Super Coolscan 5000ED, both still available) and Adobe Photoshop Lightroom hit the market in February 2007. Readers of this website may recall that back in early 2006 Luminous Landscape published a couple of articles I wrote on techniques for scanning colour negatives and the use of SilverFast with my Minolta Scan Elite 5400 scanner. A few firms still manufacture film scanners and several scanning applications are on the market, of which SilverFast remains the most comprehensive. Enter scanners and scanning software – a field which retains a steady clientele despite the onslaught of digital capture. And for many of us, that means drawers of negatives, prints and metal boxes full of slides.Ĭolour Negative Scanned in SilverFast Ai Studio 6.6 with NegafixĪll this stuff degrades over time, so the contemporary advice is to digitize it for enhancement and indefinite preservation. With all the forward momentum, we tend to forget that one of photography’s major purposes is to create memories, allowing us to look backward at what was. So many of us immersed in digital photography only look forward, eagerly awaiting the next generation of digital cameras, new and improved ways of editing pixels, and the ever expanding gamut and dynamic range of inkjet printers. 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